Genesis's guitarist from 1971 to 1977 and one of progressive rock's genuine innovators -- he was using two-handed tapping on Nursery Cryme years before it became a mainstream technique. His playing is defined by restraint and by sustain: long, vocal, violin-like lines built from a 1957 Les Paul Goldtop he bought in 1972, a Peter Cornish pedalboard full of period fuzzes, and an amp turned up until notes stopped decaying. The Firth of Fifth solo is the piece everyone cites, and it is a masterclass in playing fewer notes and holding them longer. He has recorded prolifically as a solo artist since 1975.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.
Hybrid picking isn't a country-only technique. Mark Knopfler, Albert Collins, and Scotty Moore built careers on it in rock and blues. Here's the technique, where it applies, and the specific moments where using your middle finger changes a phrase from good to right.