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The Friday send

One recipe, one field note, one quick fix. Every Friday.

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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you. As an Amazon Associate we earn from qualifying purchases. Full disclosure.

Home/Archive/Steve Hackett
Player No. 101progressive-rock

Steve Hackett

Genesis's guitarist from 1971 to 1977 and one of progressive rock's genuine innovators -- he was using two-handed tapping on Nursery Cryme years before it became a mainstream technique. His playing is defined by restraint and by sustain: long, vocal, violin-like lines built from a 1957 Les Paul Goldtop he bought in 1972, a Peter Cornish pedalboard full of period fuzzes, and an amp turned up until notes stopped decaying. The Firth of Fifth solo is the piece everyone cites, and it is a masterclass in playing fewer notes and holding them longer. He has recorded prolifically as a solo artist since 1975.

progressive rockrockart rock
Steve Hackett
HackettFILE 101

The Hackett catalogue

Selling England by the Pound cover9 blocks
Firth of FifthSelling England by the Pound · 1973See the chain →

Field notes on Hackett

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Signal Chain9 min read

Hybrid Picking for Rock and Blues: Ghost Notes Without the Country Context

Hybrid picking isn't a country-only technique. Mark Knopfler, Albert Collins, and Scotty Moore built careers on it in rock and blues. Here's the technique, where it applies, and the specific moments where using your middle finger changes a phrase from good to right.

By Rick Dalton