No. 1152000·alternative-metal·6 blocks

Change (In the House of Flies)

The hypnotic lead single from White Pony — a brooding, mid-tempo build from clean shimmer to a heavy, swelling chorus. Despite the band's later reputation for extended-range guitars, Carpenter cut White Pony mostly on a 6-string ESP Horizon Custom with Seymour Duncan pickups (the EMG and 7-string era came after), in Drop C (C-G-C-F-A-D), through his ADA MP-1 / Marshall JMP-1 rack into a Marshall 9200. Producer Terry Date framed the dynamic swells that make the song breathe.

White Pony coverWhite Pony
Settings for
Signal path · input → output · 8 blocksLive values · Line 6 Helix
Guitar
ESP Horizon Custom (6-string)
Pickups
HH
Tuning
bridge
Strings
drop_c
Noise Gate
Deluxe Comp
Chorus
Brit 2203
4x12 Greenback 25
Hall
Simple Delay
Noise Gate
← Rack noise gate (FRFR essential)
Cab
Threshold
-56dB
Decay
0.3s
Level
0
Deluxe Comp
← Tracking compression
Dynamics
Threshold
-34dB
Ratio
2:1
Knee
6dB
Attack
40s
Release
220s
Mix
45
Level
0dB
Chorus
← Chorus / modulation (clean build)
Modulation
Rate
0.6Hz
Depth
30
Mix
30
Level
0
Brit 2203
← ADA MP-1 / Marshall JMP-1 → Marshall 9200
Amp
Drive
6
Bass
7
Mid
4
Treble
6
Presence
6
ChVol
5.5
Master
7
Bias
5
BiasX
5
Sag
5
Hum
5
Ripple
5
4x12 Greenback 25
← Marshall 4x12 (Celestion-loaded)
Cab
LowCut90Hz
HighCut10000Hz
Resonance
0.5
Level
0dB
Pan
0.5
Delay
0
Hall
← Intellifex + Line 6 POD rack
Reverb
LowCut200Hz
HighCut6500Hz
Mix
24
Decay
2.2s
Predelay
30ms
Level
0
Simple Delay
← Intellifex delay
Delay
LowCut200Hz
HighCut5500Hz
Time
380ms
Feedback
18
Mix
18
Level
0

Engineer's note

File 115
The hypnotic lead single from White Pony — a brooding, mid-tempo build from clean shimmer to a heavy, swelling chorus. Despite the band's later reputation for extended-range guitars, Carpenter cut White Pony mostly on a 6-string ESP Horizon Custom with Seymour Duncan pickups (the EMG and 7-string era came after), in Drop C (C-G-C-F-A-D), through his ADA MP-1 / Marshall JMP-1 rack into a Marshall 9200. Producer Terry Date framed the dynamic swells that make the song breathe.
Stephen Carpenter

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