Tooth and Nail
The tone everybody assumes is a hot-rodded Marshall, and by Lynch's own account it is not one. He has said he used Randall RG100ES heads for the entire Tooth and Nail record and tour -- solid-state amps, in 1984, on one of the definitive tube-metal albums of the decade. Once you know that, the tightness of the palm mutes stops being a mystery and starts being a design choice.
Tooth and Nail
What we checked
Computed by a program, on this recipe, every time this page is built. How this works
Preset files — 1 of 3 complete
- Helix builds complete — every block in the recipe is in the file
- Quad Cortex 5 blocks replaced with a stand-in model
Which ones
Replaced with a stand-in: Gate, Tube Comp, Green Scream, Solo 100 Lead, 4x12 1960 T75. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
- Katana 1 block missing from the file; 4 blocks replaced with a stand-in model
Which ones
Not in the file: Plate. The recipe calls for this block, but we have no verified model ID for it on this platform, so the preset is written without it. Add it by hand using the settings above.
Replaced with a stand-in: Lead, Booster, Delay, Plate. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
What we didn't check
- Nobody played this through a real amp. There is no human listening test behind any number on this page.
- The settings are reasoned from the sources below, not measured off the record.
- No audio has been rendered for this recipe yet, so you cannot hear it before you load it.
- 3 platforms on this page (TONEX, Kemper, Fractal) get a model pointer, not a preset file — nothing was built or checked for them.
Affiliate links — we may earn a commission at no extra cost to you, and as an Amazon Associate we earn from qualifying purchases. The mic is listed because the chain uses it, not because anyone paid for the placement.
