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The Friday send

One recipe, one field note, one quick fix. Every Friday.

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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you.

Home/Archive/Bill Kelliher
Player No. 085sludge-metal

Bill Kelliher

Mastodon's rhythm-and-riff architect, Kelliher built the band's Leviathan-era wall of sound on his own Marshall JCM800 — modded with 6550 power tubes just before the 2004 sessions and boosted with a BK Butler Tube Driver — alongside Brent Hinds' Marshall JMP. Tracked in D standard by producer Matt Bayles at Seattle's Robert Lang Studios, the 'Blood and Thunder' gallop is dry, aggressive, and Gibson-into-cranked-Marshall to the core.

sludge metalprogressive metalmetal
Bill Kelliher
KelliherFILE 085

The Kelliher catalogue

Leviathan cover8 blocks
Blood and ThunderLeviathan · 2004See the chain →
Blood Mountain cover8 blocks
The Wolf Is LooseBlood Mountain · 2006See the chain →
Crack the Skye cover8 blocks
OblivionCrack the Skye · 2009See the chain →
Blood Mountain cover8 blocks
Colony of BirchmenBlood Mountain · 2006See the chain →

Field notes on Kelliher

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Quick Fixes7 min read

Sidechain vs. Inline Noise Gates: When the Detector Needs Its Own Signal

A sidechain noise gate reads your clean guitar to decide when to open while it mutes the distorted signal. Here's why that stops high-gain chatter when an inline gate can't.

By Viktor Kessler