Papa Roach's guitarist since the band's mid-'90s beginnings, Horton built the band's rap-metal breakout on a tight, mid-forward Marshall tone rather than a scooped Rectifier sound. The Infest-era rhythm is raw and aggressive by design — producer Jay Baumgardner and DreamWorks kept the record deliberately un-over-produced. Horton tracked his documented Marshall rig (JMP-1 preamp into an EL34 power amp, plus a JCM-series head) in Drop D, and only became a Schecter signature artist years later.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.