Jimmy Eat World's singer and guitarist. On Bleed American he played a Gibson Les Paul Studio through a 1979 Marshall JMP Super Lead, locked in with Tom Linton's SG and Orange AD140, a Marshall-against-Orange pairing that gave The Middle its interlocking riff. For solos he goes small: by his own account most of them are a guitar into a Fender Champ and an SM57.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.
P-90s sit between single-coils and humbuckers, and overdrive pedals were designed around neither. How the TS808, Klon and RAT each react, and the settings that work where the standard advice does not.