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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you. As an Amazon Associate we earn from qualifying purchases. Full disclosure.

Home/Archive/Jim Adkins
Player No. 121emo

Jim Adkins

Jimmy Eat World's singer and guitarist. On Bleed American he played a Gibson Les Paul Studio through a 1979 Marshall JMP Super Lead, locked in with Tom Linton's SG and Orange AD140, a Marshall-against-Orange pairing that gave The Middle its interlocking riff. For solos he goes small: by his own account most of them are a guitar into a Fender Champ and an SM57.

emoalternativepop punk
Jim Adkins
AdkinsFILE 121

The Adkins catalogue

Bleed American cover8 blocks
The MiddleBleed American · 2001See the chain →

Field notes on Adkins

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Signal Chain12 min read

P-90 Pickups and Overdrive: Why the Middle Pickup Acts Like Neither a Single-Coil Nor a Humbucker

P-90s sit between single-coils and humbuckers, and overdrive pedals were designed around neither. How the TS808, Klon and RAT each react, and the settings that work where the standard advice does not.

By Fader & Knob Staff