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The Friday send

One recipe, one field note, one quick fix. Every Friday.

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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you. As an Amazon Associate we earn from qualifying purchases. Full disclosure.

Home/Archive/Wolf Hoffmann
Player No. 098heavy-metal

Wolf Hoffmann

Accept's guitarist since the band formed in Solingen, and the player who gave German heavy metal its precision. Hoffmann's riffing on 1982's Restless and Wild -- particularly the double-bass sprint of 'Fast as a Shark' -- is routinely cited as one of the starting points for speed and thrash metal. He is inseparable from the Flying V on stage and has never recorded with one: the studio guitar has always been a Stratocaster, run into a cranked Marshall through an original Dallas Rangemaster treble booster. A classically trained pianist's ear shows in his phrasing, and he has released two solo albums of heavy-metal arrangements of classical repertoire.

heavy metalspeed metalmetal
Wolf Hoffmann
HoffmannFILE 098

The Hoffmann catalogue

Restless and Wild cover9 blocks
Fast as a SharkRestless and Wild · 1982See the chain →

Field notes on Hoffmann

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Quick Fixes7 min read

Sidechain vs. Inline Noise Gates: When the Detector Needs Its Own Signal

A sidechain noise gate reads your clean guitar to decide when to open while it mutes the distorted signal. Here's why that stops high-gain chatter when an inline gate can't.

By Viktor Kessler