No. 1842002·alternative·4 blocks

All My Life

The frantic, palm-muted intro riff that detonates into One by One's lead single. Dave Grohl's rig from The Colour and the Shape onward was a Gibson Trini Lopez Standard — a diamond-soundhole semi-hollow — into a Mesa/Boogie Dual Rectifier, and All My Life leans on exactly that: tight, aggressive Recto gain in drop D, with the low end reined in so the fast muted picking stays surgical. Chris Shiflett doubles and layers. The dynamic shift from whispered intro to full-throttle chorus is in the picking hand, not a channel switch.

One by One coverOne by One
Settings for
Signal path · input → output · 5 blocksLive values · Boss Katana
Guitar
Gibson Trini Lopez Standard
Pickups
HH
Tuning
bridge
Strings
drop D
Noise Gate
Lead
Booster
Reverb
Noise Gate
← FRFR gate (tightness)
Effect
Threshold
50dB
Release
20s
Level
0
Lead
← Mesa/Boogie Dual Rectifier
Amp
Gain
74
Volume
60
Bass
50
Middle
52
Treble
62
Presence
60
Master
62
Booster
← Optional tightening boost
Distortion
Drive
20
Bottom
45
Tone
60
Level
70
Reverb
← Studio ambience (dry mix)
Reverb
Time
4ms
PreDelay
10ms
Tone
52
EffectLevel
6

Engineer's note

File 184
The frantic, palm-muted intro riff that detonates into One by One's lead single. Dave Grohl's rig from The Colour and the Shape onward was a Gibson Trini Lopez Standard — a diamond-soundhole semi-hollow — into a Mesa/Boogie Dual Rectifier, and All My Life leans on exactly that: tight, aggressive Recto gain in drop D, with the low end reined in so the fast muted picking stays surgical. Chris Shiflett doubles and layers. The dynamic shift from whispered intro to full-throttle chorus is in the picking hand, not a channel switch.
Dave Grohl

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