No. 0461984·thrash-metal·3 blocks
Fade to Black
Fade to Black begins with one of metal's most beautiful clean arpeggios before building to a wah-drenched lead solo. Hammett's ESP through a Mesa Boogie with a Cry Baby wah creates two distinct tones: the clean intro uses the neck pickup through a clean channel for crystalline arpeggios, while the solo engages the lead channel with a wah for Hammett's signature vocal phrasing.
Ride the LightningSignal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
ESP KH (custom)
Pickups
HH
Tuning
neck
Strings
standard
Studio Comp
Crying Wah
CA MkCC+
4x12 V30
Plate Reverb
Tilt EQ
Studio Comp
← Studio compressor
Threshold
-34dB
Ratio
2:1
Attack
38s
Release
200s
Mix
50
Level
2dB
Crying Wah
← Dunlop Cry Baby
CA MkCC+
← Mesa/Boogie Mark IIC+
Gain
7
Bass
4
Mid
5
Treble
6
Presence
6
Master
7
4x12 V30
← Mesa 4x12 V30
LowCut90Hz
HighCut8500Hz
Level
0dB
Plate Reverb
← Studio plate
Decay
1.4s
Predelay
30ms
Mix
18
Level
0
Tilt EQ
← Tilt EQ (global brightness)
Tilt
5
CenterFreq
1000Hz
Level
0
Engineer's note
File 046
Fade to Black begins with one of metal's most beautiful clean arpeggios before building to a wah-drenched lead solo. Hammett's ESP through a Mesa Boogie with a Cry Baby wah creates two distinct tones: the clean intro uses the neck pickup through a clean channel for crystalline arpeggios, while the solo engages the lead channel with a wah for Hammett's signature vocal phrasing.
— Kirk Hammett
Sources · Verified by
