Killer of Giants
Lee calls this his proudest piece of writing, and it is the track where his layering method is most audible. He cut the basics and solos on the white Charvel, then doubled them with the blue burst or the purple burst -- and crucially, he always doubled through whichever of his two Marshalls he had not used the first time. The width in this solo is two different amps playing the same notes, not a chorus pedal.
The Ultimate Sin
What we checked
Computed by a program, on this recipe, every time this page is built. How this works
Preset files — 1 of 3 complete
- Helix builds complete — every block in the recipe is in the file
- Quad Cortex 5 blocks replaced with a stand-in model
Which ones
Replaced with a stand-in: Studio Comp, Green Scream, Rat Dist, Plexi 100, 4x12 Blackback. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
- Katana 1 block missing from the file; 4 blocks replaced with a stand-in model
Which ones
Not in the file: Reverb. The recipe calls for this block, but we have no verified model ID for it on this platform, so the preset is written without it. Add it by hand using the settings above.
Replaced with a stand-in: Crunch, Booster, Delay, Reverb. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
What we didn't check
- Nobody played this through a real amp. There is no human listening test behind any number on this page.
- The settings are reasoned from the sources below, not measured off the record.
- No audio has been rendered for this recipe yet, so you cannot hear it before you load it.
- 3 platforms on this page (TONEX, Kemper, Fractal) get a model pointer, not a preset file — nothing was built or checked for them.
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