The guitarist who followed Randy Rhoads into Ozzy Osbourne's band and refused to imitate him. Lee cut Bark at the Moon (1983) and The Ultimate Sin (1986) on a blue-burst Charvel San Dimas through a Jose Arredondo-modified Marshall, trading Rhoads' classical precision for a looser, bluesier phrasing built on wide bends, hybrid picking and unusual chord voicings. He later formed Badlands with Ray Gillen and, from 2013, Red Dragon Cartel.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.
Build the Way Maker (Leeland) electric tone on the Helix — a chiming Alnico-Blue AC30, a 661 ms dotted-eighth delay, volume-pedal swells, and a verse-to-bridge snapshot layout.