The guitarist who followed Randy Rhoads into Ozzy Osbourne's band and refused to imitate him. Lee cut Bark at the Moon (1983) and The Ultimate Sin (1986) on a blue-burst Charvel San Dimas through a Jose Arredondo-modified Marshall, trading Rhoads' classical precision for a looser, bluesier phrasing built on wide bends, hybrid picking and unusual chord voicings. He later formed Badlands with Ray Gillen and, from 2013, Red Dragon Cartel.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.
The darkening you hear when you roll your volume back is not the pot acting as a tone control. It is the pot working against your cable, which is why the right value depends on your rig.