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The Friday send

One recipe, one field note, one quick fix. Every Friday.

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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you.

Home/Archive/Jake E. Lee
Player No. 096heavy-metal

Jake E. Lee

The guitarist who followed Randy Rhoads into Ozzy Osbourne's band and refused to imitate him. Lee cut Bark at the Moon (1983) and The Ultimate Sin (1986) on a blue-burst Charvel San Dimas through a Jose Arredondo-modified Marshall, trading Rhoads' classical precision for a looser, bluesier phrasing built on wide bends, hybrid picking and unusual chord voicings. He later formed Badlands with Ray Gillen and, from 2013, Red Dragon Cartel.

heavy metalhard rockglam metal
Jake E. Lee
LeeFILE 096

The Lee catalogue

Bark at the Moon cover9 blocks
Bark at the MoonBark at the Moon · 1983See the chain →

Field notes on Lee

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Tone Recipes8 min read

Way Maker Guitar Tone on the Line 6 Helix (Leeland)

Build the Way Maker (Leeland) electric tone on the Helix — a chiming Alnico-Blue AC30, a 661 ms dotted-eighth delay, volume-pedal swells, and a verse-to-bridge snapshot layout.

By Fader & Knob Staff