The Queen Is Dead's most beloved song rides on the same chiming rig Johnny Marr built across the album: a Rickenbacker 330 layered with a capo'd Martin D-28, run through a Roland JC-120 blended with a Fender Twin Reverb. The JC-120's glassy solid-state top and lush onboard chorus carry the jangle; the Twin adds tube warmth underneath. Producer Stephen Street rode a pair of eighth-note delays on the part, and the sweeping strings that answer the vocal are an E-mu Emulator, not a guitar.
A complete breakdown of Robert Smith's guitar tone: Roland JC-120 chorus, Electric Mistress settings, chord voicings, and how to dial it in on a pedalboard, modeler, or DAW plugin.
Shoegaze guitar tone settings from the ground up: fuzz, chorus, reverb, and delay settings with frequency-space thinking for bedroom players and DAW builders.
Hybrid picking looks complicated from the outside. Inside a single 20-minute session, you can have one useful move that immediately changes what certain guitar parts sound like. Here are the four moves worth learning first, in the order they'll actually pay off.