The chiming intro of This Charming Man is one of the most recognizable sounds in British guitar pop — and it's a beautiful studio illusion. What everyone hears as a Rickenbacker is mostly producer John Porter's 1954 Telecaster, double-tracked with Johnny Marr's Rickenbacker 330 and layered across roughly fifteen guitar tracks. The amp was a Roland JC-120 blended with a Fender Twin Reverb: the JC-120's glassy solid-state top and onboard chorus for the jangle, the Twin's tube warmth underneath.
A complete breakdown of Robert Smith's guitar tone: Roland JC-120 chorus, Electric Mistress settings, chord voicings, and how to dial it in on a pedalboard, modeler, or DAW plugin.
Hybrid picking looks complicated from the outside. Inside a single 20-minute session, you can have one useful move that immediately changes what certain guitar parts sound like. Here are the four moves worth learning first, in the order they'll actually pay off.
Exact AC30 settings for clean jangle, classic crunch, Brian May-style breakup, and Sunday morning worship tone, plus what the Cut and Treble Cut controls actually do.