No. 0671988·thrash-metal·4 blocks

One

'One' moves from a clean, mournful arpeggiated intro to the machine-gun thrash outro — and the tone is the famously dry ...And Justice for All guitar sound. James Hetfield tracked rhythm on an ESP MX220 with EMG 81/60 pickups through a Mesa/Boogie Mark IIC+ borrowed from Kirk Hammett, with a parametric EQ in the loop and the parts triple-tracked. Kirk's lead and the war-machine solo ride a wah over the same Mark IIC+. No reverb, no delay — the dryness is the sound.

...And Justice for All cover...And Justice for All
Settings for
Signal path · input → output · 2 blocksLive values · IK TONEX
Guitar
ESP MX220 'Eet Fuk'
Pickups
HH
Tuning
bridge
Strings
standard
Search ToneNET for 'Mesa Mark IIC+' or 'And Justice for All'
Search ToneNET for 'Mesa Mark IIC+' or 'And Justice for All'
← Mesa/Boogie Mark IIC+
Effect

Engineer's note

File 067
'One' moves from a clean, mournful arpeggiated intro to the machine-gun thrash outro — and the tone is the famously dry ...And Justice for All guitar sound. James Hetfield tracked rhythm on an ESP MX220 with EMG 81/60 pickups through a Mesa/Boogie Mark IIC+ borrowed from Kirk Hammett, with a parametric EQ in the loop and the parts triple-tracked. Kirk's lead and the war-machine solo ride a wah over the same Mark IIC+. No reverb, no delay — the dryness is the sound.
James Hetfield

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