No. 1001982·metal·4 blocks

The Number of the Beast

The title track's driving, harmonized riff. Dave Murray drove his black Stratocaster — a DiMarzio Super Distortion in the bridge — and Adrian Smith his red Ibanez Destroyer (the guitar Smith said he 'recorded Number of the Beast on, the song, the solo, and everything') into cranked Marshalls, with an MXR Distortion+ adding the singing lead bite. Martin Birch tracked the twin parts at Battery Studios, London. Standard tuning; the aggression is in the picking hand and a tight gate.

The Number of the Beast coverThe Number of the Beast
Settings for
Signal path · input → output · 2 blocksLive values · IK TONEX
Guitar
Fender Stratocaster (Dave Murray) / Ibanez Destroyer (Adrian Smith)
Pickups
HSH
Tuning
bridge
Strings
standard
Search ToneNET for 'Marshall Super Lead' or 'JCM800'
Search ToneNET for 'Marshall Super Lead' or 'JCM800'
← Marshall 100W (Super Lead / early JCM800)
Reverb

Engineer's note

File 100
The title track's driving, harmonized riff. Dave Murray drove his black Stratocaster — a DiMarzio Super Distortion in the bridge — and Adrian Smith his red Ibanez Destroyer (the guitar Smith said he 'recorded Number of the Beast on, the song, the solo, and everything') into cranked Marshalls, with an MXR Distortion+ adding the singing lead bite. Martin Birch tracked the twin parts at Battery Studios, London. Standard tuning; the aggression is in the picking hand and a tight gate.
Dave Murray

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