No. 1931980·metal·4 blocks
Phantom of the Opera
Phantom of the Opera is the progressive high point of Iron Maiden's raw 1980 debut -- Dave Murray's humbucker-loaded 'Kossoff' Strat and Dennis Stratton's Les Paul driving cranked 50-watt Marshall Super Leads. Producer Wil Malone left the band to self-produce, and the result is deliberately dry, punchy and underproduced: the dirt is a DiMarzio Super Distortion slamming a Plexi, not a rack of pedals.
Signal path · input → output · 5 blocksLive values · Kemper Profiler
Guitar
Fender Stratocaster 'Kossoff' (1963 body / 1957 neck -- Dave Murray)
Pickups
HSS
Tuning
bridge
Strings
standard
Compressor
Green Scream
Search Rig Exchange for '50W Plexi Super Lead'
Room Reverb
Compressor
← Studio compressor
Intensity
2.5
Attack
0.0s
Volume
2
Green Scream
← MXR Distortion+ (not debut-confirmed)
Drive
4
Tone
5
Volume
6
Search Rig Exchange for '50W Plexi Super Lead'
← Marshall Super Lead 50W (non-master)
Gain
8
Bass
5
Middle
6
Treble
7
Presence
6
Room Reverb
← Kingsway room (very dry)
Decay
0.8s
Predelay
8ms
Mix
6
Engineer's note
File 193
Phantom of the Opera is the progressive high point of Iron Maiden's raw 1980 debut -- Dave Murray's humbucker-loaded 'Kossoff' Strat and Dennis Stratton's Les Paul driving cranked 50-watt Marshall Super Leads. Producer Wil Malone left the band to self-produce, and the result is deliberately dry, punchy and underproduced: the dirt is a DiMarzio Super Distortion slamming a Plexi, not a rack of pedals.
— Dave Murray
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