No. 0231980·metal·5 blocks
Crazy Train
Randy Rhoads' tone on Crazy Train combines classical precision with heavy metal aggression. His Les Paul Custom through a cranked Marshall with an MXR Distortion+ produces a tight, articulate distortion with singing sustain. The iconic opening riff requires precise note separation and a tone with enough gain for sustain but enough clarity for the rapid alternate picking passages. Rhoads' classical training meant every note was deliberate, and his tone reflected that precision.
Blizzard of OzzSignal path · input → output · 7 blocksLive values · Fractal Axe-Fx
Guitar
Gibson Les Paul Custom
Pickups
HH
Tuning
bridge
Strings
standard
Studio Comp
Cry Baby
Plus Distortion
Plexi 100W High
4x12 Green 25W
London Plate
Studio Comp
← Studio compressor
Threshold
-34dB
Ratio
2:1
Attack
38s
Release
200s
Mix
0.5
Level
0dB
Cry Baby
← Cry Baby Wah
Plus Distortion
← MXR Distortion+
Tone
6
Level
7
Gain
6
Plexi 100W High
← Marshall Super Lead 1959
Drive
7.5
Bass
5
Mid
7
Treble
7
Presence
7
MV
7
London Plate
← Studio plate reverb
Mix
20
Decay
1.8s
Engineer's note
File 023
Randy Rhoads' tone on Crazy Train combines classical precision with heavy metal aggression. His Les Paul Custom through a cranked Marshall with an MXR Distortion+ produces a tight, articulate distortion with singing sustain. The iconic opening riff requires precise note separation and a tone with enough gain for sustain but enough clarity for the rapid alternate picking passages. Rhoads' classical training meant every note was deliberate, and his tone reflected that precision.
— Randy Rhoads
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