Johnny B. Goode
The double-stop intro that launched a thousand bands — the founding statement of rock 'n' roll lead guitar. Cut at Chess Studios in Chicago in January 1958, Chuck Berry's tone is a thinline Gibson ES-350T strung with flatwounds, driven into a cranked Fender tweed combo at the edge of breakup. There are no pedals; the space and slap come entirely from Chess's basement echo chamber. Standard tuning, played in B♭ — the bite is in the flatwound 'twop' and the right-hand attack.
Chuck Berry Is on Top
What we checked
Computed by a program, on this recipe, every time this page is built. How this works
Preset files — 0 of 3 complete
- Helix 1 block missing from the file
Which ones
Not in the file: Chamber. The recipe calls for this block, but we have no verified model ID for it on this platform, so the preset is written without it. Add it by hand using the settings above.
- Quad Cortex 4 blocks replaced with a stand-in model
Which ones
Replaced with a stand-in: Studio Comp, Tweed Bass, Chamber Reverb, Tilt EQ. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
- Katana 3 blocks replaced with a stand-in model
Which ones
Replaced with a stand-in: Crunch, Booster, Reverb. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
What we didn't check
- Nobody played this through a real amp. There is no human listening test behind any number on this page.
- The settings are reasoned from the sources below, not measured off the record.
- No audio has been rendered for this recipe yet, so you cannot hear it before you load it.
- 3 platforms on this page (TONEX, Kemper, Fractal) get a model pointer, not a preset file — nothing was built or checked for them.
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