No. 2101988·heavy-metal·5 blocks

Miracle Man

The first song Wylde wrote as Ozzy's guitarist, written on the 1981 Les Paul Custom he calls the Grail -- at that point still cream, because the bullseye came later, after he realised a cream Custom made him look like he was trying to be Randy Rhoads. EMG actives into a cranked JCM800 is a deliberately unforgiving combination: it is why the pinch harmonics scream on demand, and why the riff needs a gate rather than politeness.

No Rest for the Wicked coverNo Rest for the Wicked
Settings for
Signal path · input → output · 9 blocksLive values · Line 6 Helix
Guitar
Gibson Les Paul Custom (1981, 'the Grail')
Pickups
HH
Tuning
bridge
Strings
standard
Noise Gate
Deluxe Comp
Scream 808
Brit 2204
4x12 Blackback 30
70s Chorus
Simple Delay
Room
Noise Gate
← Gain-structure housekeeping
Cab
Threshold
-54dB
Decay
14s
Deluxe Comp
← Studio compression
Dynamics
Threshold
-22dB
Ratio
2:1
Knee
3dB
Attack
10s
Release
110s
Mix
25
Level
0dB
Scream 808
← Boss SD-1 Super Overdrive
Distortion
Drive
2
Gain
2
Tone
5.5
Level
8
Brit 2204
← Marshall JCM800 2203
Amp
Drive
8
Bass
4
Mid
5
Treble
7
Presence
7
ChVol
6
Master
10
Bias
5.5
BiasX
6
Sag
3
Hum
3
Ripple
3
4x12 Blackback 30
← Marshall 4x12
Cab
LowCut85Hz
HighCut6500Hz
Resonance
5
Level
0dB
Pan
0.5
Delay
0
70s Chorus
← Boss CH-1 Super Chorus
Modulation
Rate
0.6Hz
Depth
25
Mix
25
Level
0
Simple Delay
← Studio slap
Delay
LowCut300Hz
HighCut3600Hz
Time
210ms
Feedback
5
Mix
6
Level
0
Room
← Studio ambience
Reverb
LowCut220Hz
HighCut6000Hz
Mix
9
Decay
0.7s
Predelay
12ms
Level
0

Engineer's note

File 210
The first song Wylde wrote as Ozzy's guitarist, written on the 1981 Les Paul Custom he calls the Grail -- at that point still cream, because the bullseye came later, after he realised a cream Custom made him look like he was trying to be Randy Rhoads. EMG actives into a cranked JCM800 is a deliberately unforgiving combination: it is why the pinch harmonics scream on demand, and why the riff needs a gate rather than politeness.
Zakk Wylde

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