Seven Nation Army
The riff that conquered the world, played on a cheap Kay hollowbody through a DigiTech Whammy set to octave down, into a cranked Silvertone amp. The Whammy pedal makes the guitar sound like a bass on the iconic main riff, while the Silvertone's raw, lo-fi tube distortion adds grit and character. Jack White's entire approach is built on cheap, broken-sounding gear pushed to its limits — the imperfections ARE the tone.
What we checked
Computed by a program, on this recipe, every time this page is built. How this works
Preset files — 1 of 3 complete
- Helix builds complete — every block in the recipe is in the file
- Quad Cortex 4 blocks replaced with a stand-in model
Which ones
Replaced with a stand-in: Studio Comp, Wham, Search Cortex Cloud for 'Silvertone' capture, 1x12 Tweed. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
- Katana 2 blocks replaced with a stand-in model
Which ones
Replaced with a stand-in: Crunch, Spring. These load cleanly but are not the model named above — the file will sound wrong here until we map them. Set these blocks by hand.
What we didn't check
- Nobody played this through a real amp. There is no human listening test behind any number on this page.
- The settings are reasoned from the sources below, not measured off the record.
- No audio has been rendered for this recipe yet, so you cannot hear it before you load it.
- 3 platforms on this page (TONEX, Kemper, Fractal) get a model pointer, not a preset file — nothing was built or checked for them.
