No. 1911976·heavy-metal·4 blocks

Victim of Changes

Victim of Changes is the twin-guitar cornerstone of Sad Wings of Destiny -- K.K. Downing's red Gibson Flying V and Glenn Tipton's SG Special traded through cranked, non-master-volume Marshall Super Leads with a Dallas Rangemaster treble booster searing the front end. There is no preamp gain here: everything comes from EL34 power tubes pushed flat out, bright and raw, the way British metal was built in 1975.

Sad Wings of Destiny coverSad Wings of Destiny
Settings for
Signal path · input → output · 10 blocksLive values · Line 6 Helix
Guitar
Gibson Flying V (1967, red refinish -- K.K. Downing)
Pickups
HH
Tuning
bridge
Strings
standard
Deluxe Comp
Deranged Master
Hedgehog D9
Script Mod Phase
Brit Plexi 100
4x12 Greenback 25
Transistor Tape
Dynamic Plate
Tilt
Deluxe Comp
← Studio compressor
Dynamics
Threshold
-30dB
Ratio
2:1
Knee
6dB
Attack
40s
Release
200s
Mix
40
Level
2dB
Deranged Master
← Dallas Rangemaster treble booster
Distortion
Gain
7
Tone
6
Level
6
Hedgehog D9
← MXR Distortion+ (Tipton's chain)
Distortion
Gain
5
Tone
5
Level
5
Script Mod Phase
← MXR Phase 100 (subtle)
Modulation
Speed
0.3Hz
Mix
40
Level
0
Brit Plexi 100
← Marshall Super Lead 100W (non-master-volume)
Amp
Drive
8
Bass
5
Mid
7
Treble
7
Presence
7
ChVol
7
Master
9
Bias
5.5
BiasX
5
Sag
6
Hum
5
Ripple
5
4x12 Greenback 25
← Marshall 4x12 (Celestion Greenback)
Cab
LowCut95Hz
HighCut9000Hz
Level
0dB
Pan
0.5
Delay
0
Transistor Tape
← Maestro Echoplex (Downing, live)
Delay
LowCut200Hz
HighCut5000Hz
Time
300ms
Feedback
10
Mix
10
Level
0
Dynamic Plate
← Rockfield room / plate
Dynamics
LowCut160Hz
HighCut8000Hz
Mix
14
Decay
1.4s
Level
0
PreDelay
15ms
Tilt
← Global tilt EQ
EQ
Tilt
0.5
CenterFreq
1000Hz
Level
0

Engineer's note

File 191
Victim of Changes is the twin-guitar cornerstone of Sad Wings of Destiny -- K.K. Downing's red Gibson Flying V and Glenn Tipton's SG Special traded through cranked, non-master-volume Marshall Super Leads with a Dallas Rangemaster treble booster searing the front end. There is no preamp gain here: everything comes from EL34 power tubes pushed flat out, bright and raw, the way British metal was built in 1975.
K.K. Downing

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