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The Friday send

One recipe, one field note, one quick fix. Every Friday.

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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you. As an Amazon Associate we earn from qualifying purchases. Full disclosure.

Home/Archive/Andy Summers
Player No. 116new-wave

Andy Summers

The Police's guitarist, and the player who taught a generation of rock guitarists to leave space. Summers built his parts from close-voiced, ringing chord shapes -- added ninths instead of thirds -- and from an early-1960s Telecaster he modified with a Gibson humbucker in the neck, a phase switch and an onboard boost. On Synchronicity that guitar went into a Roland JC-120, whose stereo chorus became the sound of Every Breath You Take.

new waverockpost punk
Andy Summers
SummersFILE 116

The Summers catalogue

Synchronicity cover7 blocks
Every Breath You TakeSynchronicity · 1983See the chain →

Field notes on Summers

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Signal Chain9 min read

Hybrid Picking for Rock and Blues: Ghost Notes Without the Country Context

Hybrid picking isn't a country-only technique. Mark Knopfler, Albert Collins, and Scotty Moore built careers on it in rock and blues. Here's the technique, where it applies, and the specific moments where using your middle finger changes a phrase from good to right.

By Rick Dalton