The Smashing Pumpkins' frontman, chief songwriter, and the architect of the band's enormous multi-tracked guitar sound. On Siamese Dream (1993) Corgan built the canonical alt-rock 'wall of guitars' by stacking dozens of takes of a late-'70s Op-Amp Big Muff into a cranked Marshall JCM800 — and on Mellon Collie and the Infinite Sadness (1995) he reached for a Fender Blender to make the choruses detonate. Almost everything was tracked in Eb standard, half a step down.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.
Boss DS-1 settings for punk, grunge, rock, and metal, with dial tables, the Tone sweet spot most players miss, and Keeley/Monte Allums mod tips.