Alice in Chains' guitarist and the architect of a tone that sounds like one enormous amp and is actually three small ones. His instrument is a 1984 G&L Rampage he bought in Dallas in 1985 -- all-maple, ebony board, a Seymour Duncan JB dropped in, a pin-up sticker that gave it the name Blue Dress -- and by his own count it is on nearly everything he has recorded. On Dirt, producer Dave Jerden split the rhythm guitar across three amps by frequency range and doubled each one, which is why the record has weight and clarity at the same time rather than trading one for the other.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.
Boss DS-1 settings for punk, grunge, rock, and metal, with dial tables, the Tone sweet spot most players miss, and Keeley/Monte Allums mod tips.