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The Friday send

One recipe, one field note, one quick fix. Every Friday.

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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you.

Home/Archive/Mick Thomson
Player No. 077nu-metal

Mick Thomson

Slipknot's #7 and the band's lead riff architect, Thomson built his sound on tight, percussive down-tuned rhythm playing through a rotating cast of aggressive high-gain heads — a VHT Pitbull on Iowa and Vol. 3, a Marshall JCM800 with a Maxon boost on All Hope Is Gone, and later his Rivera KR-7 signature. He favors fixed-bridge guitars with hot active pickups voiced for a controlled low end, because the band's drop-B and drop-A tunings turn loose bass into mud.

nu metalmetalalternative metal
Mick Thomson
ThomsonFILE 077

The Thomson catalogue

Vol. 3: The Subliminal Verses cover8 blocks
DualityVol. 3: The Subliminal Verses · 2004See the chain →
All Hope Is Gone cover8 blocks
PsychosocialAll Hope Is Gone · 2008See the chain →

Field notes on Thomson

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Quick Fixes7 min read

Sidechain vs. Inline Noise Gates: When the Detector Needs Its Own Signal

A sidechain noise gate reads your clean guitar to decide when to open while it mutes the distorted signal. Here's why that stops high-gain chatter when an inline gate can't.

By Viktor Kessler