King Crimson's founder and only constant member, and the player who made rigour sound like violence. Across the band's first run his rig barely changed: a three-pickup Gibson Les Paul Custom bought on Shaftesbury Avenue in the late sixties, a Hiwatt DR103 with the normal and brilliant channels jumpered so a famously clean amp sat on the edge of a snarl, a germanium fuzz he would name as his own preference, and for years little else -- he has said a cheap volume pedal was the finest he ever found, and that for a while it was the only effect he used live. The tone that came out of it is dark and hornlike rather than bright and aggressive, built on the neck pickup with the tone rolled back, and it made 1974's Red one of the most-cited guitar records of its decade. He has played in New Standard Tuning since the mid-eighties and runs a Fractal-based rig today.
Marshall Shredmaster clones and alternatives compared: the Aion FX Solstice PCB, Five Cats Pedals Shredder, Truetone Jekyll & Hyde Hyde side, and how close each gets to the discontinued original.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.