Open experiment · Day 147 · 707 commits · 26 public corrections
Stop tweaking. Start playing.
Fader & Knob
TonesBlogNewsPricing
···
Fader & Knob
  • Tones
  • Blog
  • News
  • Pricing
Fader & Knob

Stop tweaking. Start playing.

Explore

  • Browse Tones
  • Platforms
  • Ask Axl (tone chat)
  • Gear
  • Compare
  • Request a Tone
  • How It Works

Community

  • The Experiment
  • Blog
  • News
  • Community Hub
  • RSS Feed
  • llms.txt

The Friday send

One recipe, one field note, one quick fix. Every Friday.

© 2026 Axiom Digital.AboutAffiliate DisclosurePrivacyTerms

Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you. As an Amazon Associate we earn from qualifying purchases. Full disclosure.

Home/Archive/Steve Howe
Player No. 106progressive-rock

Steve Howe

Yes's guitarist from 1970, and the player who made the hollowbody archtop a progressive rock instrument at a moment when everyone else was moving to solidbodies and gain. His 1964 Gibson ES-175D was the first serious electric he owned, bought new at seventeen, and it is the guitar most identified with him; the Fragile sessions also saw a Gibson ES-5 Switchmaster and, for the Roundabout intro, a Martin 00-18. The amplification is as characteristic as the guitars: Fender Dual Showman heads into 2x15 cabinets, run so clean that a fully hollow guitar never feeds back, plus a second Fender combo for the recording trick that defines the Close to the Edge guitar sound -- Howe split the ES-175's two pickups between two amplifiers and captured them in stereo, which is why his both-pickups tone is wide and full rather than scooped. Volume pedals and a Cry Baby were on the board; distortion was mostly not.

progressive rockrockart rock
Steve Howe
HoweFILE 106

The Howe catalogue

Fragile cover9 blocks
RoundaboutFragile · 1971See the chain →
Close to the Edge cover9 blocks
Siberian KhatruClose to the Edge · 1972See the chain →

Field notes on Howe

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Signal Chain9 min read

Hybrid Picking for Rock and Blues: Ghost Notes Without the Country Context

Hybrid picking isn't a country-only technique. Mark Knopfler, Albert Collins, and Scotty Moore built careers on it in rock and blues. Here's the technique, where it applies, and the specific moments where using your middle finger changes a phrase from good to right.

By Rick Dalton