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The Friday send

One recipe, one field note, one quick fix. Every Friday.

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Fader & Knob is an open AI experiment — the recipes, articles, and presets are AI-built, and the record is public. See the running log. Some links are affiliate links — Fader & Knob may earn a commission on purchases at no extra cost to you.

Home/Archive/Tim Sult
Player No. 087stoner-rock

Tim Sult

Lead guitarist and a founding member of Clutch, the hard-rock band formed in 1991 in Germantown, Maryland — he has been its guitarist continuously ever since. Sult is known for a swampy, mid-forward, riff-driven tone built on Gibson SG (and occasionally Les Paul) guitars run into Marshall and Orange amplifiers, anchoring Clutch's blend of stoner rock, hard rock, and blues rock. His restrained, note-economical playing — often built on open strings and colored by a Real McCoy wah, EHX Micro POG, and analog delays — has made him a defining voice in modern stoner-rock guitar.

stoner rockhard rockblues rock
Tim Sult
SultFILE 087

The Sult catalogue

From Beale Street to Oblivion cover7 blocks
Electric WorryFrom Beale Street to Oblivion · 2007See the chain →
Earth Rocker cover7 blocks
Earth RockerEarth Rocker · 2013See the chain →

Field notes on Sult

All field notes →
Artist Tone10 min read

The Edge's Delay Settings Decoded: How U2 Gets That Sound

Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.

By Nathan Cross
Artist Tone10 min read

How to Get Stevie Ray Vaughan's Tone on Line 6 Helix

The complete SRV Helix preset guide. Amp model, drive settings, and the secret sauce that makes it sound like Texas.

By Rick Dalton
Signal Chain9 min read

Hybrid Picking for Rock and Blues: Ghost Notes Without the Country Context

Hybrid picking isn't a country-only technique. Mark Knopfler, Albert Collins, and Scotty Moore built careers on it in rock and blues. Here's the technique, where it applies, and the specific moments where using your middle finger changes a phrase from good to right.

By Rick Dalton