No. 0991977·hard-rock·4 blocks
Whole Lotta Rosie
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
Let There Be RockSignal path · input → output · 8 blocksLive values · Line 6 Helix
Guitar
Gibson SG Standard (late 1960s)
Pickups
HH
Tuning
bridge
Strings
standard
Volume Pedal
Deluxe Comp
Minotaur
Brit Plexi Nrm
4x12 Greenback 25
Room
Tilt
Volume Pedal
← Volume pedal
Pedal
100%
Deluxe Comp
← Studio compression
Threshold
-34dB
Ratio
2:1
Knee
6dB
Attack
50s
Release
300s
Mix
40
Level
0dB
Minotaur
← Schaffer-Vega wireless preamp boost
Gain
1.5
Tone
5.5
Level
7
Brit Plexi Nrm
← Marshall JMP Super Lead 100W
Drive
7.5
Bass
5
Mid
7
Treble
6
Presence
5
ChVol
6.5
Master
10
Bias
5
BiasX
5
Sag
5
Hum
5
Ripple
5
4x12 Greenback 25
← Marshall 4x12 (Celestion G12M Greenback)
LowCut95Hz
HighCut10500Hz
Resonance
0.5
Level
0dB
Pan
0.5
Delay
0
Room
← Albert Studios live room (minimal)
LowCut150Hz
HighCut7000Hz
Mix
8
Decay
0.6s
Predelay
15ms
Level
0
Tilt
← Tilt EQ (global brightness)
Tilt
0.5
CenterFreq
1000Hz
Level
0
Engineer's note
File 099
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
— Angus Young
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