No. 1312000·nu-metal·6 blocks
Papercut
The tight, scooped nu-metal rhythm tone that opens Hybrid Theory. Brad Delson's 'Papercut' is built on a PRS run into a Mesa/Boogie Dual Rectifier on the Modern channel — cut at NRG Studios with Don Gilmore, half-step-down and dropped to Drop C# for a low, percussive chug that locks into Mike Shinoda's verse. The Recto supplies a compressed, gated wall of gain; a Boss NS-2 keeps the high-gain noise floor silent between the syncopated palm mutes.
Hybrid TheorySignal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
PRS CE 24
Pickups
HH
Tuning
bridge
Strings
drop C# (C#-G#-C#-F#-A#-D#)
Noise Gate
Studio Comp
Recto
4x12 V30
Room
Tilt EQ
Noise Gate
← Boss NS-2
Threshold
-50dB
Decay
0.3s
Level
0
Studio Comp
← Boss CS-3
Threshold
-32dB
Ratio
2:1
Attack
38s
Release
200s
Mix
35
Level
0dB
Recto
← Mesa/Boogie Dual Rectifier (Modern)
Gain
7.5
Bass
6
Mid
4.5
Treble
6.5
Presence
6.5
Master
6
Sag
3.5
4x12 V30
← Mesa Recto 4x12 V30
LowCut95Hz
HighCut8000Hz
Level
0dB
Room
← Studio ambience (minimal)
Decay
0.3s
Predelay
10ms
Mix
0.1
Level
0
Tilt EQ
← Global brightness EQ
Tilt
5
CenterFreq
1000Hz
Level
0
Engineer's note
File 131
The tight, scooped nu-metal rhythm tone that opens Hybrid Theory. Brad Delson's 'Papercut' is built on a PRS run into a Mesa/Boogie Dual Rectifier on the Modern channel — cut at NRG Studios with Don Gilmore, half-step-down and dropped to Drop C# for a low, percussive chug that locks into Mike Shinoda's verse. The Recto supplies a compressed, gated wall of gain; a Boss NS-2 keeps the high-gain noise floor silent between the syncopated palm mutes.
— Brad Delson
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