No. 0081987·rock·5 blocks
Where the Streets Have No Name
The defining textural guitar tone of the 1980s. The Edge's approach on Where the Streets Have No Name is built on rhythmic delay: a dotted eighth note delay synchronized to the tempo creates a cascading, shimmering pattern where the delayed notes fill in the gaps between picked notes. The result is a wall of chiming sound that seems much more complex than what is actually being played. The Vox AC30 provides a bright, chimey foundation, and the delay does the rest.
Signal path · input → output · 7 blocksLive values · Fractal Axe-Fx
Guitar
Fender Stratocaster / Gibson Explorer
Pickups
HH
Tuning
bridge
Strings
standard
Studio Comp
AC-30 TB
2x12 AC30 Blue
Digital Stereo
Mono Delay
Hall
Studio Comp
← Studio compressor
Threshold
-34dB
Ratio
2:1
Attack
38s
Release
200s
Mix
0.5
Level
0dB
AC-30 TB
← Vox AC30
Drive
5
Bass
5
Mid
5
Treble
6
MV
6
Digital Stereo
← Korg SDD-3000
Time
340ms
Feedback
30
Mix
35
Mono Delay
← Electro-Harmonix Deluxe Memory Man
Time
475ms
Feedback
25
Mix
20
Hall
← Hall reverb
Mix
25
Decay
2.5s
Pre Delay
40ms
Engineer's note
File 008
The defining textural guitar tone of the 1980s. The Edge's approach on Where the Streets Have No Name is built on rhythmic delay: a dotted eighth note delay synchronized to the tempo creates a cascading, shimmering pattern where the delayed notes fill in the gaps between picked notes. The result is a wall of chiming sound that seems much more complex than what is actually being played. The Vox AC30 provides a bright, chimey foundation, and the delay does the rest.
— The Edge
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