The defining textural guitar tone of the 1980s. The Edge's approach on Where the Streets Have No Name is built on rhythmic delay: a dotted eighth note delay synchronized to the tempo creates a cascading, shimmering pattern where the delayed notes fill in the gaps between picked notes. The result is a wall of chiming sound that seems much more complex than what is actually being played. The Vox AC30 provides a bright, chimey foundation, and the delay does the rest.
Dotted eighth notes, analog repeats, and the delay settings that define U2's guitar sound. Plus how to set it up on your modeler.
A complete BPM-to-milliseconds reference table for dotted eighth delay, plus three methods for setting the time by ear when you don't have a tap tempo pedal.
How to build a worship guitar preset on the Line 6 Helix, from ambient cleans to full lead, with exact block names, settings, and snapshot assignments.