No. 0081987·rock·5 blocks
Where the Streets Have No Name
The defining textural guitar tone of the 1980s. The Edge's approach on Where the Streets Have No Name is built on rhythmic delay: a dotted eighth note delay synchronized to the tempo creates a cascading, shimmering pattern where the delayed notes fill in the gaps between picked notes. The result is a wall of chiming sound that seems much more complex than what is actually being played. The Vox AC30 provides a bright, chimey foundation, and the delay does the rest.
Signal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
Fender Stratocaster / Gibson Explorer
Pickups
HH
Tuning
bridge
Strings
standard
Studio Comp
UK 30 TopBoost
2x12 Vox Blue
Digital Delay
Analog Delay
Hall
Studio Comp
← Studio compressor
Threshold
-34dB
Ratio
2:1
Attack
38s
Release
200s
Mix
50
Level
0dB
UK 30 TopBoost
← Vox AC30
Gain
5.5
Bass
4
Mid
6
Treble
7
Presence
6
Master
6
2x12 Vox Blue
← Vox 2x12 Celestion Blues
LowCut80Hz
HighCut9000Hz
Level
0dB
Digital Delay
← Korg SDD-3000
Time
375ms
Feedback
40
Mix
40
Analog Delay
← Memory Man
Time
500ms
Feedback
25
Mix
20
Hall
← Hall reverb
Decay
2.5s
Predelay
40ms
Mix
25
Level
0
Engineer's note
File 008
The defining textural guitar tone of the 1980s. The Edge's approach on Where the Streets Have No Name is built on rhythmic delay: a dotted eighth note delay synchronized to the tempo creates a cascading, shimmering pattern where the delayed notes fill in the gaps between picked notes. The result is a wall of chiming sound that seems much more complex than what is actually being played. The Vox AC30 provides a bright, chimey foundation, and the delay does the rest.
— The Edge
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