No. 0051991·alternative·5 blocks

Under the Bridge

One of the most beautiful clean guitar tones in rock. The intro to Under the Bridge is Frusciante alone, playing delicate chord voicings on the neck pickup of a 1962 Stratocaster through a clean Marshall with a touch of chorus. The tone is warm, round, and shimmering, with the CE-1 chorus adding subtle movement that keeps the sound alive and breathing. The neck pickup is essential: it provides the full, rounded character that makes this tone so inviting. The Marshall is run clean at low volume, a departure from the typical cranked Marshall approach.

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Settings for
Signal path · input → output · 6 blocksLive values · Neural DSP Quad Cortex
Guitar
Fender Stratocaster
Pickups
SSS
Tuning
neck
Strings
standard
Studio Comp
CE-1
Search Cortex Cloud for 'Marshall Major' capture
4x12 Green
Room
Studio Comp
← Studio compressor (light)
Dynamics
Threshold
-36dB
Ratio
2:1
Attack
60s
Release
900s
Mix
70
Level
0dB
CE-1
← Boss CE-1 Chorus Ensemble
Modulation
Rate
3Hz
Depth
6
Search Cortex Cloud for 'Marshall Major' capture
← Marshall Major 200W
Amp
Gain
2.5
Bass
4
Mid
5
Treble
7
Presence
6
Master
5
Room
← Room reverb (The Mansion)
Reverb
Decay
1.5s
Mix
20

Engineer's note

File 005
One of the most beautiful clean guitar tones in rock. The intro to Under the Bridge is Frusciante alone, playing delicate chord voicings on the neck pickup of a 1962 Stratocaster through a clean Marshall with a touch of chorus. The tone is warm, round, and shimmering, with the CE-1 chorus adding subtle movement that keeps the sound alive and breathing. The neck pickup is essential: it provides the full, rounded character that makes this tone so inviting. The Marshall is run clean at low volume, a departure from the typical cranked Marshall approach.
John Frusciante
Sources · Verified by

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