No. 0031968·rock·5 blocks
Voodoo Child (Slight Return)
The ultimate wah-fuzz guitar tone. Hendrix's Voodoo Child (Slight Return) opens with one of the most recognizable wah licks ever recorded. The tone is built on a Cry Baby wah into a germanium Fuzz Face, slamming a cranked Marshall Plexi. The wah isn't just an effect here; it's an integral part of the voice of the guitar, used as a tonal filter that shapes every note. The Fuzz Face provides thick, singing sustain that cleans up dynamically when Hendrix rolls back his guitar volume.
Electric LadylandSignal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
Fender Stratocaster
Pickups
SSS
Tuning
bridge
Strings
standard
Studio Comp
Crying Wah
Facial Fuzz
Brit Plexi 100 Bright
4x12 Green 25
Tilt EQ
Studio Comp
← Studio compressor
Threshold
-34dB
Ratio
2:1
Attack
38s
Release
200s
Mix
50
Level
0dB
Crying Wah
← Dunlop Cry Baby Wah
Facial Fuzz
← Dallas Arbiter Fuzz Face
Fuzz
7
Volume
8
Brit Plexi 100 Bright
← Marshall Super Lead 1959
Gain
9
Bass
5
Mid
8
Treble
7
Presence
6
Master
8
4x12 Green 25
← Marshall 4x12 Greenback
LowCut80Hz
HighCut9000Hz
Level
0dB
Tilt EQ
← Tilt EQ (global brightness)
Tilt
5
CenterFreq
1000Hz
Level
0
Engineer's note
File 003
The ultimate wah-fuzz guitar tone. Hendrix's Voodoo Child (Slight Return) opens with one of the most recognizable wah licks ever recorded. The tone is built on a Cry Baby wah into a germanium Fuzz Face, slamming a cranked Marshall Plexi. The wah isn't just an effect here; it's an integral part of the voice of the guitar, used as a tonal filter that shapes every note. The Fuzz Face provides thick, singing sustain that cleans up dynamically when Hendrix rolls back his guitar volume.
— Jimi Hendrix
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