No. 1521992·desert-rock·4 blocks
Green Machine
The blueprint of desert/stoner rock: Josh Homme's molten riff from Kyuss's Blues for the Red Sun (1992). Produced by Chris Goss at Sound City, the tone is a down-tuned guitar (Ovation Ultra GP, DiMarzio Super 2s) driven hard through a Marshall JCM900 4100 into an Ampeg 8x10 BASS cabinet -- the famous 'guitar through a bass rig' move that gives the riff its woolly, earth-moving low end. The dirt is amp gain plus wah, not a fuzz pedal.
Blues for the Red SunSignal path · input → output · 6 blocksLive values · Fractal Axe-Fx
Guitar
Ovation Ultra GP (1984 solidbody)
Pickups
HH
Tuning
bridge
Strings
C standard (C-F-Bb-Eb-G-C)
Studio Comp
Wah 846
Brit Pre
8x10 Bass
Plate
Studio Comp
← Tracking compression
Threshold
-26dB
Ratio
3:1
Attack
30s
Release
200s
Mix
0.4
Level
0dB
Wah 846
← Dunlop Cry Baby Wah
Mix
100
Level
0
Brit Pre
← Marshall JCM900 4100
Drive
8
Bass
7
Mid
6
Treble
6
Presence
5
MV
6
8x10 Bass
← Ampeg 8x10 bass cabinet
LowCut55Hz
HighCut5500Hz
Level
0dB
Plate
← Studio room / Goss ambience
Mix
0.1
Decay
1s
Predelay
18ms
Engineer's note
File 152
The blueprint of desert/stoner rock: Josh Homme's molten riff from Kyuss's Blues for the Red Sun (1992). Produced by Chris Goss at Sound City, the tone is a down-tuned guitar (Ovation Ultra GP, DiMarzio Super 2s) driven hard through a Marshall JCM900 4100 into an Ampeg 8x10 BASS cabinet -- the famous 'guitar through a bass rig' move that gives the riff its woolly, earth-moving low end. The dirt is amp gain plus wah, not a fuzz pedal.
— Josh Homme
Sources · Verified by
