No. 1521992·desert-rock·4 blocks

Green Machine

The blueprint of desert/stoner rock: Josh Homme's molten riff from Kyuss's Blues for the Red Sun (1992). Produced by Chris Goss at Sound City, the tone is a down-tuned guitar (Ovation Ultra GP, DiMarzio Super 2s) driven hard through a Marshall JCM900 4100 into an Ampeg 8x10 BASS cabinet -- the famous 'guitar through a bass rig' move that gives the riff its woolly, earth-moving low end. The dirt is amp gain plus wah, not a fuzz pedal.

Blues for the Red Sun coverBlues for the Red Sun
Settings for
Signal path · input → output · 4 blocksLive values · Boss Katana
Guitar
Ovation Ultra GP (1984 solidbody)
Pickups
HH
Tuning
bridge
Strings
C standard (C-F-Bb-Eb-G-C)
Brown
Wah
Plate
Brown
← Marshall JCM900 4100
Amp
Gain
7
Volume
6
Bass
7
Middle
6
Treble
6
Presence
5
Wah
← Dunlop Cry Baby Wah
Wah
Level
6
Plate
← Studio room / Goss ambience
Reverb
Time
5ms
PreDelay
18ms
Tone
4
EffectLevel
9

Engineer's note

File 152
The blueprint of desert/stoner rock: Josh Homme's molten riff from Kyuss's Blues for the Red Sun (1992). Produced by Chris Goss at Sound City, the tone is a down-tuned guitar (Ovation Ultra GP, DiMarzio Super 2s) driven hard through a Marshall JCM900 4100 into an Ampeg 8x10 BASS cabinet -- the famous 'guitar through a bass rig' move that gives the riff its woolly, earth-moving low end. The dirt is amp gain plus wah, not a fuzz pedal.
Josh Homme

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