The riff that conquered the world, played on a cheap Kay hollowbody through a DigiTech Whammy set to octave down, into a cranked Silvertone amp. The Whammy pedal makes the guitar sound like a bass on the iconic main riff, while the Silvertone's raw, lo-fi tube distortion adds grit and character. Jack White's entire approach is built on cheap, broken-sounding gear pushed to its limits — the imperfections ARE the tone.
Jack White's tone settings explained: White Stripes Silvertone amp crunch, Seven Nation Army Big Muff fuzz, Whammy settings, and how to nail it on modern gear.
EQ before distortion shapes the clipping. EQ after distortion shapes the output. These are not interchangeable. Here's the data on what each placement does and when to use it.
Guitar cables affect your tone through capacitance — but how much? We ran the numbers on short, medium, and long cables and found out when it actually matters.