No. 2051983·heavy-metal·4 blocks
Bark at the Moon
The riff that had to follow Randy Rhoads, played on a rig that shares almost nothing with his. Jake E. Lee cut it at Ridge Farm in 1983 on his blue-burst Charvel San Dimas -- a Seymour Duncan JB in the bridge, DiMarzio SDS-1 single-coils elsewhere -- through a Jose Arredondo-modified Marshall he carried over from California. Where Rhoads got his sustain from an under-volted Plexi, Lee got his from a cascading-gain mod, which is why the riff is tighter and more percussive than anything on Blizzard of Ozz.
Bark at the MoonSignal path · input → output · 5 blocksLive values · Pedalboard
Guitar
Charvel San Dimas Style 1 (blue burst)
Pickups
HSS
Tuning
bridge
Strings
standard
Marshall 100W (1977, modified by Jose Arredondo)
Marshall 4x12 (Celestion-loaded)
Shure SM57
Ibanez SF10 Swell Flanger
Marshall 100W (1977, modified by Jose Arredondo)
preamp
Presence
6
Bass
4
Middle
5
Treble
7
Preamp Volume
8
Master
5
Ibanez SF10 Swell Flanger
modulation
Speed
3Hz
Width
5
Regen
4
Delay
4
Engineer's note
File 205
The riff that had to follow Randy Rhoads, played on a rig that shares almost nothing with his. Jake E. Lee cut it at Ridge Farm in 1983 on his blue-burst Charvel San Dimas -- a Seymour Duncan JB in the bridge, DiMarzio SDS-1 single-coils elsewhere -- through a Jose Arredondo-modified Marshall he carried over from California. Where Rhoads got his sustain from an under-volted Plexi, Lee got his from a cascading-gain mod, which is why the riff is tighter and more percussive than anything on Blizzard of Ozz.
— Jake E. Lee
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