No. 1772009·sludge-metal·4 blocks
Oblivion
The melodic opener of Crack the Skye — Mastodon's proggiest, most spacious record, tracked live as a four-piece by Brendan O'Brien at Southern Tracks, Atlanta. Bill Kelliher and Brent Hinds ran vintage Marshall JCM800 and JMP heads with a Fender Twin Reverb for cleans (no Diezel — that's their later touring rig), boosted by Ibanez Tube King and TS-9 overdrives into Silverburst Gibsons. Warmer and more open than Blood Mountain, with O'Brien's 'let it breathe' room sound.
Crack the SkyeSignal path · input → output · 8 blocksLive values · Neural DSP Quad Cortex
Guitar
Gibson Les Paul Custom Silverburst (Kelliher) / Flying V (Hinds)
Pickups
HH
Tuning
bridge
Strings
Standard / Drop D (album sits in standard-to-drop-D range; exact 'Oblivion' tuning not primary-documented)
Noise Gate
Studio Comp
TS808
Brit 2203
4x12 Greenback
Plate
Tilt EQ
Noise Gate
← Input noise gate
Threshold
-56dB
Decay
0.4s
Level
0
Studio Comp
← Light tracking compression
Threshold
-28dB
Ratio
2:1
Attack
50s
Release
200s
Mix
30
Level
0dB
TS808
← Ibanez Tube King / TS-9
Drive
3
Tone
6
Level
7
Brit 2203
← Marshall JCM800 / JMP
Gain
7
Bass
5
Mid
6
Treble
6
Presence
5
Master
6
Sag
5
4x12 Greenback
← Marshall 1960B 4x12 (20W Greenback)
LowCut85Hz
HighCut8500Hz
Level
0dB
Plate
← Studio room / O'Brien space
Decay
1.6s
Predelay
18ms
Mix
12
Level
0
Tilt EQ
← Global brightness EQ
Tilt
5
CenterFreq
1000Hz
Level
0
Engineer's note
File 177
The melodic opener of Crack the Skye — Mastodon's proggiest, most spacious record, tracked live as a four-piece by Brendan O'Brien at Southern Tracks, Atlanta. Bill Kelliher and Brent Hinds ran vintage Marshall JCM800 and JMP heads with a Fender Twin Reverb for cleans (no Diezel — that's their later touring rig), boosted by Ibanez Tube King and TS-9 overdrives into Silverburst Gibsons. Warmer and more open than Blood Mountain, with O'Brien's 'let it breathe' room sound.
— Bill Kelliher
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