No. 1762006·sludge-metal·4 blocks

The Wolf Is Loose

The 173-BPM gallop that opens Blood Mountain — a tighter, faster cousin of Leviathan's Marshall attack. Bill Kelliher and Brent Hinds tracked it with producer Matt Bayles at Robert Lang Studios and Studio Litho, Seattle, in D standard. The documented Blood Mountain amps are a Laney VH100R alongside a 2-channel Marshall JCM800 — NOT the Diezel VH4, which only entered Hinds' rig years later — boosted with a Chandler Tube Driver into Seymour Duncan-loaded Silverburst Gibsons. Dry, aggressive, and articulate.

Blood Mountain coverBlood Mountain
Settings for
Signal path · input → output · 5 blocksLive values · Pedalboard
Guitar
Gibson Les Paul Custom Silverburst (Kelliher) / Flying V (Hinds)
Pickups
HH
Tuning
bridge
Strings
D Standard (D-G-C-F-A-D)
Chandler Tube Driver / Ibanez Tube Screamer
Laney VH100R / Marshall JCM800
Marshall 4x12 (Celestion Vintage 30 / Greenback)
Shure SM57
Chandler Tube Driver / Ibanez Tube Screamer
overdrive
Distortion
Drive
4
Tone
6
Level
7
Laney VH100R / Marshall JCM800
preamp
Amp
Gain
8
Bass
5
Middle
6
Treble
6
Presence
5
Master
6

Engineer's note

File 176
The 173-BPM gallop that opens Blood Mountain — a tighter, faster cousin of Leviathan's Marshall attack. Bill Kelliher and Brent Hinds tracked it with producer Matt Bayles at Robert Lang Studios and Studio Litho, Seattle, in D standard. The documented Blood Mountain amps are a Laney VH100R alongside a 2-channel Marshall JCM800 — NOT the Diezel VH4, which only entered Hinds' rig years later — boosted with a Chandler Tube Driver into Seymour Duncan-loaded Silverburst Gibsons. Dry, aggressive, and articulate.
Bill Kelliher

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