No. 0611991·grunge·4 blocks
Black
Black is Mike McCready's masterclass in dynamics — clean, aching verses that bloom into one of grunge's most emotional outro solos. The secret is two amps: a Fender Bassman handles the pristine clean arpeggios (McCready himself said "you can hear that on Black"), while a cranked Marshall JCM800 pushed by an Ibanez TS-9 carries the soaring lead. The guitar is the black 1962 Japanese-reissue Stratocaster that Stone Gossard and Jeff Ament bought him during the Ten sessions.
TenSignal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
Fender Stratocaster (1962 Japanese Reissue)
Pickups
SSS
Tuning
neck
Strings
standard
LA Compressor
Green 808
Brit 2203
4x12 Greenback
Digital Delay
Room
LA Compressor
← Studio compression
Threshold
-32dB
Ratio
2:1
Attack
8s
Release
200s
Mix
60
Level
0dB
Green 808
← Ibanez TS-9 Tube Screamer
Drive
4
Tone
5.5
Level
7.5
Brit 2203
← Marshall JCM800 2203
Gain
6.8
Bass
4.8
Mid
6.2
Treble
6.6
Presence
6
Master
5
Sag
5.5
4x12 Greenback
← Marshall 1960A 4x12 (25-watt Greenbacks)
LowCut90Hz
HighCut6500Hz
Level
0dB
Digital Delay
← Subtle slap (studio)
Time
340ms
Feedback
18
Mix
15
Level
0
Room
← Tracking room ambience
Decay
1.2s
Predelay
20ms
Mix
18
Level
0
Engineer's note
File 061
Black is Mike McCready's masterclass in dynamics — clean, aching verses that bloom into one of grunge's most emotional outro solos. The secret is two amps: a Fender Bassman handles the pristine clean arpeggios (McCready himself said "you can hear that on Black"), while a cranked Marshall JCM800 pushed by an Ibanez TS-9 carries the soaring lead. The guitar is the black 1962 Japanese-reissue Stratocaster that Stone Gossard and Jeff Ament bought him during the Ten sessions.
— Mike McCready
Sources · Verified by
