No. 0821992·grunge·4 blocks
Yellow Ledbetter
Cut at the Ten sessions but left off the album, Yellow Ledbetter is McCready's love letter to Hendrix's Little Wing — warm, bell-like clean chords with thumb-fretted bass notes and major-pentatonic fills, drenched in studio reverb. The documented guitar is a Fender '57 reissue Strat with a maple neck (not the black '62 he used elsewhere on Ten). The amp isn't named in any source, so this builds the clean Fender voice his Ten rig points to.
Signal path · input → output · 6 blocksLive values · Fractal Axe-Fx
Guitar
Fender Stratocaster ('57 Reissue, maple neck)
Pickups
SSS
Tuning
neck
Strings
standard
Studio Comp
Bassguy Nrm
4x10 Bassman
Plate Reverb
Filter Tilt
Studio Comp
← Studio compression
Threshold
-30dB
Ratio
2:1
Attack
10s
Release
200s
Mix
0.6
Level
0dB
Bassguy Nrm
← Fender Bassman (inferred)
Drive
2.5
Bass
5
Mid
5
Treble
6
Presence
5
MV
6
Cut
5
4x10 Bassman
← Fender 4x10 (Bassman-style)
LowCut90Hz
HighCut8500Hz
Level
0dB
Plate Reverb
← Studio plate / EMT
Mix
0.3
Decay
2.4s
Predelay
0.0ms
Filter Tilt
← Tilt EQ (global brightness)
Tilt
0.5
CenterFreq
1000Hz
Level
0
Engineer's note
File 082
Cut at the Ten sessions but left off the album, Yellow Ledbetter is McCready's love letter to Hendrix's Little Wing — warm, bell-like clean chords with thumb-fretted bass notes and major-pentatonic fills, drenched in studio reverb. The documented guitar is a Fender '57 reissue Strat with a maple neck (not the black '62 he used elsewhere on Ten). The amp isn't named in any source, so this builds the clean Fender voice his Ten rig points to.
— Mike McCready
Sources · Verified by