No. 1082018·worship·7 blocks
Living Hope
The polished worship-pop electric on Phil Wickham's title track — played by session guitarist Casey Moore, not Wickham's touring player. A clean Vox-or-boutique amp bed sits under a dotted-eighth delay and a big plate reverb, with an EHX Micro POG adding an octave-up shimmer to the swells. The verses are pad-like and compressed; the choruses open up with a light boost into the amp. Half-time feel in Eb, about 72 BPM. The atmosphere is the part — the dry tone alone is almost nothing.
Living HopeSignal path · input → output · 9 blocksLive values · Line 6 Helix
Guitar
Fender Stratocaster
Pickups
SSS
Tuning
neck
Strings
standard
Volume Pedal
LA Studio Comp
Pitch Wham / POG
Minotaur
Essex A30
2x12 Blue Bell
Adriatic Delay
Plateaux
Volume Pedal
← Volume pedal
Pedal
100%
LA Studio Comp
← Studio compressor (pad-like)
Threshold
-34dB
Ratio
4:1
Knee
3dB
Attack
20s
Release
220s
Mix
100
Level
0dB
Pitch Wham / POG
← EHX Micro POG
Dry
8
Octave Up
4
Mix
30
Minotaur
← Light chorus-lift boost
Gain
1.5
Tone
6
Level
6
Essex A30
← Vox AC30 / Bad Cat (clean)
Drive
3.5
Bass
5
Mid
5.5
Treble
6
Presence
5
ChVol
6
Master
4
Bias
5
BiasX
5
Sag
5
Hum
4
Ripple
4
2x12 Blue Bell
← 2x12 Celestion
LowCut90Hz
HighCut9000Hz
Resonance
0.5
Level
0dB
Pan
0.5
Delay
0
Adriatic Delay
← Dotted-eighth delay
LowCut200Hz
HighCut6500Hz
Time
625ms
Feedback
36
Mix
28
Level
0
Plateaux
← Big plate reverb
LowCut130Hz
HighCut8000Hz
Mix
38
Decay
6.5s
Predelay
20ms
Level
0
Engineer's note
File 108
The polished worship-pop electric on Phil Wickham's title track — played by session guitarist Casey Moore, not Wickham's touring player. A clean Vox-or-boutique amp bed sits under a dotted-eighth delay and a big plate reverb, with an EHX Micro POG adding an octave-up shimmer to the swells. The verses are pad-like and compressed; the choruses open up with a light boost into the amp. Half-time feel in Eb, about 72 BPM. The atmosphere is the part — the dry tone alone is almost nothing.
— Casey Moore
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