No. 1211999·alternative-metal·6 blocks

Guerrilla Radio

The Battle of Los Angeles lead single, and the riff that proved Morello could make a guitar sound like a siren and a turntable in the same three minutes. He cut it on his 'Arm the Homeless' custom in Drop D into the same 50-watt Marshall JCM800 2205 and Peavey 4x12 he has used since 1988. The verse is a percussive, palm-muted wah 'wacka' over the low D; the solo is the DigiTech Whammy hauled two octaves up into a rising siren squeal while the toggle and pickup volumes do the rest. No fuzz, no extra gain — a mid-forward Marshall and a lot of right-hand control.

The Battle of Los Angeles coverThe Battle of Los Angeles
Settings for
Signal path · input → output · 2 blocksLive values · IK TONEX
Guitar
'Arm the Homeless' custom (Performance body / Kramer neck)
Pickups
HH
Tuning
bridge
Strings
drop_d
Search ToneNET for 'JCM800 2205' or 'Marshall 50W'
Search ToneNET for 'JCM800 2205' or 'Marshall 50W'
← Marshall JCM800 2205 (50W)
Reverb

Engineer's note

File 121
The Battle of Los Angeles lead single, and the riff that proved Morello could make a guitar sound like a siren and a turntable in the same three minutes. He cut it on his 'Arm the Homeless' custom in Drop D into the same 50-watt Marshall JCM800 2205 and Peavey 4x12 he has used since 1988. The verse is a percussive, palm-muted wah 'wacka' over the low D; the solo is the DigiTech Whammy hauled two octaves up into a rising siren squeal while the toggle and pickup volumes do the rest. No fuzz, no extra gain — a mid-forward Marshall and a lot of right-hand control.
Tom Morello

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