The galloping anthem of The Number of the Beast. Dave Murray drove his black Stratocaster — loaded with a hot DiMarzio Super Distortion humbucker — into a cranked 50-watt Marshall Super Lead, with an MXR Distortion+ for extra bite. Adrian Smith doubled the harmonized leads, famously on an Ibanez Destroyer. Producer Martin Birch tracked the twin guitars at Battery Studios in early 1982, doubling each part to widen the soundstage. Standard tuning; the gallop is in the picking hand.
The JCM900 was supposed to modernize the JCM800. Here's what actually changed in the circuit, why players have opinions about it, and which one fits your playing.
Exact settings for the Marshall JCM800 across blues, classic rock, hard rock, and metal, on the real amp and on Helix, Quad Cortex, and Katana models.
Both Marshall Studio Vintage 1×12 and 2×12 cabs run open-back Greenbacks. Both pair with the SV20H. The 2×12 is twice the cone area, twice the weight, and a different room experience. Here's when it's worth it.