No. 0701982·metal·4 blocks

Run to the Hills

The galloping anthem of The Number of the Beast. Dave Murray drove his black Stratocaster — loaded with a hot DiMarzio Super Distortion humbucker — into a cranked 50-watt Marshall Super Lead, with an MXR Distortion+ for extra bite. Adrian Smith doubled the harmonized leads, famously on an Ibanez Destroyer. Producer Martin Birch tracked the twin guitars at Battery Studios in early 1982, doubling each part to widen the soundstage. Standard tuning; the gallop is in the picking hand.

The Number of the Beast coverThe Number of the Beast
Settings for
Signal path · input → output · 8 blocksLive values · Neural DSP Quad Cortex
Guitar
Fender Stratocaster (Dave Murray 'Kossoff' Strat)
Pickups
HSH
Tuning
bridge
Strings
standard
Noise Gate
Studio Comp
MXR D+
1959 SLP
4x12 Greenback
Plate
Tilt EQ
Noise Gate
← Studio noise gate (FRFR essential)
Cab
Threshold
-54dB
Decay
0.3s
Level
0
Studio Comp
← Studio compression
Dynamics
Threshold
-34dB
Ratio
2:1
Attack
8s
Release
200s
Mix
40
Level
0dB
MXR D+
← MXR Distortion+
Distortion
Drive
3
Tone
5.5
Level
7
1959 SLP
← Marshall Super Lead 50
Amp
Gain
7
Bass
5
Mid
5.5
Treble
7
Presence
6.2
Master
6.5
Sag
5
4x12 Greenback
← Marshall 4x12 (Greenbacks)
Cab
LowCut90Hz
HighCut11000Hz
Level
0dB
Plate
← Studio plate (light)
Reverb
Decay
1.1s
Predelay
20ms
Mix
12
Level
0
Tilt EQ
← Tilt EQ (global brightness)
EQ
Tilt
5
CenterFreq
1000Hz
Level
0

Engineer's note

File 070
The galloping anthem of The Number of the Beast. Dave Murray drove his black Stratocaster — loaded with a hot DiMarzio Super Distortion humbucker — into a cranked 50-watt Marshall Super Lead, with an MXR Distortion+ for extra bite. Adrian Smith doubled the harmonized leads, famously on an Ibanez Destroyer. Producer Martin Birch tracked the twin guitars at Battery Studios in early 1982, doubling each part to widen the soundstage. Standard tuning; the gallop is in the picking hand.
Dave Murray

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