No. 0061987·hard-rock·4 blocks
Sweet Child O' Mine
One of the most recognizable guitar intros ever written. Slash's tone on Appetite for Destruction is the textbook Les Paul through a cranked Marshall JCM800 sound: thick, warm humbuckers pushing a hot British amp into singing, vocal-like overdrive. The JCM800 is doing most of the work here, with its aggressive midrange and natural compression when pushed hard. A touch of reverb from the studio and Slash's fluid vibrato complete the picture.
Signal path · input → output · 6 blocksLive values · Neural DSP Quad Cortex
Guitar
Gibson Les Paul Standard (1959 replica)
Pickups
HH
Tuning
neck
Strings
standard
Studio Comp
Brit 2203
4x12 Green 25
Room
Tilt EQ
Studio Comp
← Studio compressor
Threshold
-36dB
Ratio
2:1
Attack
60s
Release
900s
Mix
74
Level
0dB
Brit 2203
← Marshall JCM800 2203
Gain
8
Bass
5
Mid
8
Treble
7
Presence
6
Master
6
4x12 Green 25
← Marshall 4x12 Greenback
LowCut80Hz
HighCut8500Hz
Level
0dB
Room
← Studio room reverb
Decay
1.2s
Predelay
20ms
Mix
15
Level
0
Tilt EQ
← Tilt EQ (global brightness)
Tilt
5
CenterFreq
1000Hz
Level
0
Engineer's note
File 006
One of the most recognizable guitar intros ever written. Slash's tone on Appetite for Destruction is the textbook Les Paul through a cranked Marshall JCM800 sound: thick, warm humbuckers pushing a hot British amp into singing, vocal-like overdrive. The JCM800 is doing most of the work here, with its aggressive midrange and natural compression when pushed hard. A touch of reverb from the studio and Slash's fluid vibrato complete the picture.
— Slash
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