No. 1221999·alternative-metal·6 blocks
Sleep Now in the Fire
Standard tuning — not Drop D — and a goading, almost childlike riff built on A-minor pentatonic over a droning open A string. The Battle of Los Angeles single runs Morello's 'Arm the Homeless' into the career-long 50-watt Marshall JCM800 2205 and Peavey 4x12. The verse hides a strange harmonized hum: the DigiTech Whammy set to add a fixed interval below the fretted note. The wandering solo weaves wah and Whammy together while the pickup toggle stutters the feedback. The gear stays mid-forward and tight; the weirdness is all in the pedals and the right hand.
Signal path · input → output · 9 blocksLive values · Line 6 Helix
Guitar
'Arm the Homeless' custom (Performance body / Kramer neck)
Pickups
HH
Tuning
bridge
Strings
standard
Noise Gate
Deluxe Comp
Pitch Wham
Teardrop 310
Brit 2204
4x12 Mars G12-65
Simple Delay
Tilt
Noise Gate
← Studio noise gate (FRFR essential)
Threshold
-52dB
Decay
0.2s
Level
0
Deluxe Comp
← Tracking compression
Threshold
-32dB
Ratio
2:1
Knee
6dB
Attack
25s
Release
150s
Mix
40
Level
0dB
Pitch Wham
← DigiTech Whammy WH-1 (harmony mode)
Mix
50
Level
0
Teardrop 310
← Dunlop Cry Baby (GCB95)
Mix
100
Level
0
Brit 2204
← Marshall JCM800 2205 (50W)
Drive
8.5
Bass
10
Mid
9
Treble
7
Presence
7
ChVol
5
Master
8
Bias
5
BiasX
5
Sag
4.5
Hum
5
Ripple
5
4x12 Mars G12-65
← Peavey 4x12 (Celestion G12K-85)
LowCut85Hz
HighCut10000Hz
Resonance
0.5
Level
0dB
Pan
0.5
Delay
0
Simple Delay
← Boss DD-3 (FX loop)
LowCut200Hz
HighCut6000Hz
Time
420ms
Feedback
3
Mix
16
Level
0
Tilt
← Tilt EQ (global brightness)
Tilt
0.5
CenterFreq
1000Hz
Level
0
Engineer's note
File 122
Standard tuning — not Drop D — and a goading, almost childlike riff built on A-minor pentatonic over a droning open A string. The Battle of Los Angeles single runs Morello's 'Arm the Homeless' into the career-long 50-watt Marshall JCM800 2205 and Peavey 4x12. The verse hides a strange harmonized hum: the DigiTech Whammy set to add a fixed interval below the fretted note. The wandering solo weaves wah and Whammy together while the pickup toggle stutters the feedback. The gear stays mid-forward and tight; the weirdness is all in the pedals and the right hand.
— Tom Morello
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