The most famous riff in rock — and one of the most misunderstood. Ritchie Blackmore played the Smoke on the Water riff in parallel fourths (not power chords) on a 1968 maple-neck Stratocaster through a 100W Marshall head, with a Hornby-Skewes treble booster adding clarity and just a touch of hair. The riff was tracked at the Grand Hotel in Montreux, December 1971, after a fire burned down the original recording venue.
The Celestion V30 takes a beating in modern djent contexts, and that criticism is fair. But in the medium-gain rock zone (Marshall plexis pushed to breakup, Bluesbreaker-stacked Twin Reverbs, AC30 territory), the V30 is still the speaker its 1990s reputation was built on. Here is when to choose it, and what it does that nothing else quite does.
The 2555 Silver Jubilee sits between the JCM800 and the JCM900 in both era and gain structure. Here is what makes it different, who used it, and the settings that get you there.
Stacking a Tube Screamer and a Klon into a Marshall is a legitimate technique, not a boutique-pedal flex. Here's what each pedal is actually doing to the signal, plus the settings that make it work.